Roland SH-4D Syntetisaattori
The Roland SH-4D desktop synthesizer packs a 5-part multitimbral engine, 60-voice polyphony, and 11 OSC models into a portable battery-powered unit. It blends vintage analog-style sound with modern digital textures, including wavetable, cross FM, and the SH-101 and Juno-106 legacy voices. A built-in motion sensor, Visual Arpeggio, and 64-step sequencer make it equally suited for studio sound design and live performance.
- 5-part architecture with 4 synth parts plus a dedicated rhythm part running up to 26 instruments per kit
- 60-voice polyphony with per-part voice reservation for reliable multitimbral playback
- Multimode digital ladder filter with HPF, pre-filter Drive, and interactive Resonance
- Runs on USB-C bus power or 4 AA batteries for up to 4 hours of cable-free creation
Roland SH-4D Desktop Synthesizer — Five Parts, One Portable Groovebox
\nThis desktop synthesizer and groovebox condenses a full multitimbral workstation into a unit small enough to run on AA batteries. Eleven OSC models span vintage analog-style tones, the SH-101 and Juno-106 legacy voices, cross FM, wavetable, ring modulation, sync, chord, drawing, and PCM sounds. With 60 voices of polyphony and a 64-step sequencer per part, this model lets a single hardware unit sketch, sequence, and perform a complete track.
What Sets the Instrument Apart
\nD-Motion is a built-in motion sensor that lets players tilt the unit to modulate two assignable parameters on the X/Y axis. Visual Arpeggio represents a physics-based mini-sequencer with five modes including bounce, bubble, sketch, pong, and orbit that generates note patterns through interactive on-screen animations. A dedicated Modulation Matrix routes LFOs, envelopes, and external MIDI sources to nearly any parameter, while the multimode digital ladder filter shapes every voice.
Synthesis Architecture — Polyphony and OSC Models
\nPolyphony and oscillator variety define how complex a track can become inside one box, with enough headroom for layered chords, stacked basslines, and full rhythm parts running simultaneously.
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- The device offers 60 voices of maximum polyphony distributed across parts with per-part voice reservation. \n
- OSC Models: 11 engines — SH-4D, SH-3D, Sync, SH-101, Juno-106, Cross FM, Ring, Wavetable, Chord, Drawing, PCM \n
- Multitimbral Parts: 5 (4 synth + 1 rhythm) — independent sound design per part \n
Sequencer, Arpeggiator, and Performance Controls
\nPattern sequencing and motion recording turn sound design into full arrangements without leaving the hardware.
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- Sequencer Steps: 64 per part — with probability, flams, substeps, and motion recording across four lanes \n
- Arpeggiator: 5 types — plus the physics-based Visual Arpeggio for motion-driven patterns \n
- Pitch Bend: Yes — dedicated pitch bend buttons plus D-Motion tilt sensor for X/Y modulation \n
Effects Engine and Connectivity
\nA serious effects section and flexible I/O make this unit slot into studio racks, stage rigs, and mobile setups without compromise.
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- Effects: Master Effect, Master EQ, Master Compressor, Reverb, Chorus, Delay — plus 93 MFX types across 5 systems \n
- Modulation: Modulation Matrix — routes LFOs, envelopes, and MIDI CCs to nearly any parameter \n
- Connectivity: USB-C, 5-pin MIDI I/O, 3.5 mm mix in, 1/4" stereo out, headphone out, clock input — plus 12 discrete USB audio channels to a DAW \n
Who the SH-4D Is Built For
\nIt is the right choice for electronic producers, groovebox enthusiasts, and live performers who want deep sound design without menu-diving. Synthesists coming from Roland's ZenCore family will appreciate the simplified, hands-on engine layout, while hardware-first beatmakers gain a five-part workstation that runs on AA batteries for sketching on the road. DJs and live acts benefit from D-Motion tilt control and Visual Arpeggio, adding physical performance gestures. Studio producers can route the unit into a DAW over USB-C with 12 discrete audio channels.
Roland and the SH Heritage
\nRoland's SH series stretches back to the SH-101, a monophonic analog synth from 1982 that became a defining voice in early house, techno, and acid. The Juno-106, released in 1984, brought polyphony and the famous chorus effect to a generation of pop and electronic producers.
",description_sk:
Tyyppi
Desktop Synthesizer
LFO
Verhokäyrä
Kyllä
Oskillaattorit
Modulaatio
Fader-liuku
Kyllä (4)
Arpeggiator
Efektityypit
Kaiku (9 x), Chorus (5 x), Viive (5 x), Master Effect (93 x), Master EQ, Master Compressor
MIDI-liitäntä
Bluetooth
Sisäänrakennettu kaiutin
Sovittaja
Äänimoottori
Koskettimien määrä
Koskettimien koko
Mini
Polyfonia
Pitch bend
Kyllä
Tallennusväline
Näyttö
Näytön tyyppi
Väri
Kuulokelähtö
Pedaalin sisääntulot
Analogiset lähdöt
Mikrofonitulo
USB
USB-MIDI
USB-laite
USB-isäntä
Suodatin
Kyllä
Sekvensseri
Kyllä
Pakkauksen sisältö
Leveys (cm)
36
Korkeus (cm)
6,6
Syvyys (cm)
19,5
Nettopaino (kg)
1,78
Valmistettu
Malesia
Asiakirjat
Käyttöohjeet
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