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ART S8 Splitter
The ART S8 is an 8-channel passive microphone signal splitter that sends each mic to two destinations at once, in a compact 1U rack chassis. Each channel pairs one direct XLR output with a transformer-isolated output, so a single vocal or instrument feed can reach both the FOH console and a stage, monitor, or recording mixer without interference. A switchable ground lift on every output cuts hum from ground loops, and the per-channel input pad accepts line-level sources like keyboards or instrument preamps. At 1.7 kg with reversible rack ears, the unit fits any front- or rear-facing install.
- 8 balanced XLR channels split into 16 outputs in a single rack unit.
- Direct outputs pass phantom power to condenser microphones automatically.
- Transformer-isolated outputs eliminate ground-loop hum between connected mixers.
- Per-channel input pad and ground lift give fast, localized troubleshooting.
Reliable 8-Channel Microphone Splitting for Live and Studio Rigs
The ART S8 is an 8-channel passive microphone splitter built for situations where one mic signal needs to reach two mixers at the same time. Housed in a single 1U rack enclosure measuring 483 × 44 × 95 mm and weighing 1.7 kg, it gives touring bands, houses of worship, and recording crews a clean way to feed a front-of-house desk and a separate monitor or DAW simultaneously. Because the design is fully passive, the unit needs no power source, phantom power for condenser microphones passes straight through the direct outputs to the mic, and reversible rack ears let the chassis face either forward or backward in any rack layout.
Key Connections and Controls
- Each channel feeds a single mic input through one direct XLR and one transformer-isolated XLR for a total arrangement of 8 channels × 2 outputs each (16 total) across the rack.
- Ground lift: switchable on every isolated output to eliminate ground-loop hum between AC-powered mixers.
- Input pad switch on each channel accommodates line-level sources such as keyboards and instrument preamps alongside standard mic-level signals.
- Frequency response: 20 Hz – 20 kHz at ±0.25 dB, with CMRR above 105 dB at 60 Hz for clean rejection of stage interference.
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