PP strives to resolve many of the common quandaries bassists come across in their search for a fuzz that really works for their instrument and their playing situation. Helps give the feel of running two amps, one wet, one dry for those of us who can’t afford two SVT’s, and/or can’t lug two bass amps down to the local club.
Along with great sounding fuzz, this specific clipping combo helps the fuzz to mesh with the clean signal in a natural way, instead of just sitting on top of the dry signal like some fuzzers with clean blends can do. The pedal overall has a much less pronounced mid-scoop which helps it to retain presence in a live playing situation.
Roll the fuzz back, and things still sound crisp, also tighter lows at high fuzz settings. The PP “B” really can go from a dirty, gritty, slightly over-driven clean-blended bass sound, to fully saturated, watch out for feedback, drop-C meltdown, and everything in-between.